July 07, 2014 by PatLeach
It makes a perfect example of why I love reading the titles from the Notable Books List each year--I come across fabulous books that I would have missed otherwise.
Basically this novel circles around an unnamed narrator and his two most important friends. The story opens as the narrator describes how his mother, a flight attendant, often left him in the care of vendors at the airport. His ability to fit in, especially to mix among wealthy people, leads to a lifelong pattern of dishonesty. He meets the man who becomes his best friend in their college English class. That friend soon writes a fabulously successful novel, though his life is shadowed by addiction and mental illness. Through that friend, the narrator meets the woman he loves but can never marry. Much of the energy in this novel is generated as the three of them come together, then fall apart.
Each of the ten chapters could stand alone as a short story, focusing on a particular time and place. Jansma's genius is how he uses these pieces to pull the whole story together, how an image introduced in one place returns in another.
How does a writer avoid revealing what others don't want shared? When should a writer betray a friend to further success? What are the chances for success when relationships are built on lies? How can broken friendships be mended? When is honesty required?
I was surprised by how readable this book was, given those heavy questions. I credit Jansma's clever eye for detail and ability to draw attention to a new place. The book goes from the East Coast to New York City to India to Africa and many places between. Part of the pleasure in the reading was just learning where it would take up next. Meg Woltitzer aptly used the phrase, "playfully weird" about this book. I would add "playfully smart." I know that I missed many well-placed literary allusions.
I have confessed before to my Pollyanna-ish hope that at last one person will learn and grow in a novel, and end up a better person. That happened here, though it wasn't easy or pretty.
I'm not aware of many people who've read this. I'm hoping a few of my friends will do so soon, so that we can discuss it. I'll recommend this to people who like literary fiction, especially if they don't insist on the work being too dark and pessimistic. In the heart of this story of friendship, betrayal, and love, stands that critical question--CAN a leopard change its spots?
Tagged in: Notables, fiction, Kristopher Jansma,
July 01, 2014 by PatLeach
It's the story of the 1936 Olympic rowing team, essentially the team from the University of Washington. Brown extensively interviewed rower Joe Rantz not long before Rantz died a few years ago, and it is Rantz who stands at the center of this story. Around him are his crewmates, his remarkable coach, Al Ulbrickson, and George Pocock, a boatbuilder and rowing guru. As as a group they exemplified how a successful team far exceeds the sum of its parts.
Brown creates the context of America in the Great Depression, and more specifically, the lives of working class people at that time. Rantz and several teammates worked back-breaking jobs to afford their classes, and Rantz was often teased about his ratty clothes. In addition, Rantz was abandoned by his father, learning to make his own way. Brown contrasts their situation with that of teams from the Ivy League or Europe.
The strong narrative thread of "The Boys in the Boat" helps it cross over for people who typically read fiction. Brown incorporates information about rowing, history, and politics without losing the thread of the plot. He builds credible characters from interviews and contemporary articles. This book employs a rhythm typical of sport stories, with background information framing descriptions of contests.
This team became magical at crucial moments, when all nine men in the boat pulled together, worked together, and won together. Brown explores Rantz's decision to trust, truly trust, that his teammates would do what needed to be done even though his own family life taught him reasonably to trust only himself.
I'll recommend this to a variety of readers, both of fiction and nonfiction. Fans of strong sports stories should dig into "The Boys in the Boat," especially readers interested in the storied 1936 Olympics in Berlin. This makes an excellent book group choice, with its universal themes of history, purpose, and success against great odds.
Tagged in: Notables, nonfiction, rowing, Daniel James Brown,
February 20, 2014 by PatLeach
Its narrator is Nora Eldridge, a third grade teacher in Cambridge, Massachusetts. She introduces this novel, "How angry am I? You don't want to know. Nobody wants to know about that." Nora intended to be an artist. But that has been set aside. At 42, she is a popular teacher, a dutiful daughter, and a dependable friend. She is "the woman upstairs." And nobody knows how furious she is.
She goes on to tell how five years previous her dreams were reawakened by a remarkable family who entered her life. First the son joins her class, then the mother who is an artist invites her to share space, then the father, a visiting professor, becomes special to her. Each of them possesses a personality that matches Nora's needs--their jigsaw pieces seem to complete her puzzle. But it doesn't last, and worse, it leads to betrayal.
Ongoing foreshadowing led me to expect some kind of huge awful explosion. It didn't happen as I expected, and perhaps that is why this is a strong book. It seems entirely realistic--this earthshaking interior change in Nora, instead of propelling her into a life of art, kindles fury instead. She stokes it because it makes her feel alive.
Messud has mastered choosing and describing key interactions. Nora is aware of feminist aspects of her situation and sees herself enduring dates with duty. Her telling leaves plenty of space for the reader to see more than she does.
The story reads like an extended conversation. It's tailor made for book groups. I salute Messud for the open ending, a perfect discussion point. I still can't decide whether it's hopeless or hopeful. I'll recommend this to many of my reading friends, and look forward to extending the conversation with them.
Tagged in: fiction, Notables, Claire Messud, "The Woman Upstairs",
April 30, 2013 by PatLeach
One sentence summary--An adult Ojibwe man looks back on his youth, and his response to a brutal sexual attack on his mother.
One sentence evaluation--This is classic Erdrich, excellent writing and even better character development, all wrapped up in contemporary Ojibwe culture--a great book group book.
I find something especially compelling in novels about how crime impacts people. I recently finished another Notable, "Canada" by Richard Ford, with a similar construction of a man looking back on how crimes committed by his parents pulled his family apart.
In "The Round House," Joe tells the story of events that happened in 1988, his mother not coming home as expected, and then finally arriving home with awful injuries. Watching his parents floundering in response to the attack, he relies on his strong ties with friends and extended family. LIttle by little he comes to understand what happened to his mother; his father's role as a tribal judge pulls in further information, and interesting aspects of tribal law. When Joe puts in place his response, it's in the full context of all of the people who have surrounded him.
I'll recommend this to Erdrich's fans, and because it has few of the fantastic elements of some of her other books, I think it might work for people who haven't taken to some of her previous work. I think it'd also be of interest as an outlier for people who read traditional mystery series--a different slant on a crime novel, with an ending that isn't formula, but is expected in the best storytelling sense of tightening and sharpening the telling toward a dangerously pointed end.
Tagged in: Notables, fiction,
July 05, 2012 by PatLeach
I'm slightly sheepish in saying that I was happy about "The Sense of an Ending" by Julian Barnes because it's just 163 pages. As I work my way through this year's Notable Books list, a shorty is a relief.
Barnes is a British writer, and here presents a British story. It's told by a middle-aged man, Tony Webster, who looks back on his boarding school friendships and early love life.
Tony describes how his school group of three boys grows to take in a fourth, Adrian, who is especially smart and who sees the world a little differently than the others. When Adrian takes up with Veronica, a girl who Tony dated, Tony writes them an ugly letter.Tony heads off for an adventure in America, Adrian commits suicide. Eventually Tony marries Margaret, they raise a daughter, and then divorce. Tony feels himself going along and getting along. Then Veronica's mother dies, and leaves something to Tony, and this brings back the past. It also brings Veronica back into his life.
Tony wonders what his role was in Adrian's suicide, in the unhappiness that led to his death. HAD he done something terribly wrong as a youth? Was he responsible for...something?
I confess that when I got to the end of this book and to the revelation regarding this mystery, I had to re-read the ending, and I wished that I had the gumption to re-read the whole book. I went to amazon.com to read what people had written about the book, and was relieved that several had noted that the resolution seemed confusing and underwhelming, given the lead-up.
And that may be what is genius about this book--how remarkably realistic for Tony to look back from the distance of many years, and end up not quite sure.
And is that what makes Peter Barnes a genius writer? That he can get us inside of this man's head, for good and for ill, and engage us in these reflections? Barnes is known for elegant writing, directing the reader's attention to the correct place, using just the right word, and yet also shining a glaring light on people's weakness. I'll recommend this to my reading friends who are good with a literary novel, good with what is not expected, and good with Barnes' particular "sense of an ending."
Tagged in: fiction, Notables, Julian Barnes,