March 13, 2014 by PatLeach
"The Faraway Nearby" begins with apricots, picked from Solnit's mother's tree. The three boxes of apricots were too many to manage, her mother too far gone with Alzheimer's to know. Solnit's preservation of the fruit via jams, liqueurs, and other devices contributes one of the first metaphors in this rich book.
I was intrigued by the title, "The Faraway Nearby." Here is what she says about that, "After years in New York City, Georgia O'Keeffe moved to rural New Mexico, from which she would sign her letters to the people she loved, 'from the faraway nearby.'" (p. 108)
Solnit employs thirteen chapters, the first six leading to the seventh, "knot." The remaining six mirror the first, going backwards to apricots once again, ending where she began. Within this firm structure, she rambles amid her mother's story, her own cancer scare, and an artistic escape to Iceland. How she works in Che Guevara, arctic explorers, Scheherazade, Frankenstein, Buddhists, and others, is a wonder. And yet it feels like excellent conversation over coffee, how she goes from one story to another, linked by ideas. Throughout, she reflects on how we tell our stories. She considers how we work over the material in our past to create a promising future.
I found particular resonance in this excerpt, as she describes how her friends took her in hand through a serious health scare. "People gathered from all directions, and I was taken care of beautifully...Afterward, during my convalescence, I occasionally wished that life was always like this, that I was always being showered with flowers and assistance and solicitousness, but you only get it when you need it. If you're lucky, you get it when you need it. To know that it was there when I needed it changed everything a little in the long run." (p. 122) This perfectly describes my own experience when my husband died, and she's right. It has changed everything a little.
At first, I was put off by MY wanting the action to move forward more quickly. I won't recommend this to readers who want to march through a plot. It was worth slowing down to savor the extras that she brings to her story of herself. I do indeed recommend this to those who enjoy a lusciously long conversation through unexpected imagery and reflection, as if the coffee pot would never run dry.
Tagged in: nonfiction, memoirs, Notable Books, "The Faraway Nearby",
November 20, 2013 by PatLeach
Before he became a Supreme Court justice, and before he brought the landmark Brown vs. Board of Education case to the Supreme Court, Thurgood Marshall's work at the NAACP took him all over the southern United States where race was a factor in court cases. A general pattern in his work was that the goal was to set up a successful appeal of a conviction. An acquittal was an impossible dream in nearly all of his cases.
Such was his strategy in the case of the Groveland Boys--four black men accused of raping a young white woman near Groveland, Florida, in 1949. King introduces a host of characters in setting the stage for this story--from the remarkable Sheriff Willis McCall to a woman reporter for a local newspaper to the four accused black men to the governors of Florida to members of the Ku Klux Klan to members of the local NAACP. King works hard to place the actions in the context of the time, where one foot is squarely in a system that as a matter of course denies justice to black people, and the other is stepping toward landmark decisions such as Brown vs. Board of Education.
He traces a chronology of beatings, shootings, and palpable danger for the men in custody, and for the outsider attorneys who arrive in Florida in their defense. In the end, what justice looks like seems pretty unimpressive. What does impress is King's ability to maintain the connection to context, and to weave a good deal of background information without losing the sense of story.
King's focus on Thurgood Marshall further highlights context, knowing what we do of his later Supreme Court career. In terms of how the story works, the immense scope of his personality and impact balance the intensity of what happened at Groveland. From my vantage point in 2013, continual questions arose regarding how things have changed--or not--since 1949.
I'm a nonfiction fan generally, and especially seek well-told stories of American History. I've been recommending this to others who seek such a book, and especially to people with an interest in justice. I think this could be an excellent nonfiction choice for book groups who typically choose fiction. There is much to learn, and to discuss, in "Devil in the Grove."
Tagged in: nonfiction, history, Thurgood Marshall,
July 05, 2012 by PatLeach
Finally, I've read "Unbroken" by Laura Hillenbrand. I've heard so many people comment on this nonficiton story of Louis Zamperini, a runner on the US Olympic team who became a World War II hero by surviving for weeks on a life raft, and months in Japanese Prisoner of War camps.
And it was good, one of the titles on this year's American Library Association Notable Books list.
Laura Hillenbrand (who has an interesting story of her own) follows up her stellar "Seabiscuit" with this compelling story. She tells it straightforwardly and chronologically. Hillenbrand has that gift for telling the story in a way that is clearly shaped and considered, for example, in how people are introduced and then brought back into the story, and yet her style gets out of the way of the story.
What I'll remember from this book is both the evil behavior of many of the Japanese captors, and the survival of the prisoners. How DO people maintain their dignity and selfhood in the face of so many attempts to break them? In Zamperini's case, he was made a target of beatings and cruelty because of his fame. Yet he survived. I knew that the sections set in the POW camps would be horrifying, but I found myself especially touched by Zamperini's return to home. He was beloved, a hero, and yet he was falling apart, drinking himself nearly to death, before he turned himself around at a Billy Graham event.
I noticed how HIllenbrand goes out of her way not to judge the behavior the men who were stranded, or were prisoners. She works hard to set a context where every rule and every expectation are turned upside down, where people survive by doing things they never thought they could do. She also makes a point of developing characters, not allowing all Japanese or all American people to be presented a certain way.
I finished this book on Independence Day. It seemed an especially fitting day to reflect on the people who have been called the "greatest generation." I'll recommend this to a lot of people--fiction readers will appreciate the strong story, history fans will find sound information, and people who enjoy "extreme" stories of survival certainly will find much to value. I think that many people have avoided reading this because they shy away from the depictions of the camps, and I understand that. And yet I'd still encourage people to read this with open eyes and mind. The book's subtitle, "A World War II Story of Survival, Resilience, and Redemption" reflects Hillenbrand's success in showing that even out of this horror, goodness survived.
Tagged in: nonfiction, Louis Zamperini, Notables, World War II,
May 14, 2012 by PatLeach
Every few years I crave a true-crime book, and this one about the Boston Strangler came right out of that Dewey number, 364.152.
Junger is known as a nonfiction writer. He picked up this topic because his own family had a connection to the Boston Strangler. When Junger was a little boy in 1963, his parents had a studio built in their backyard in suburban Belmont. One of the subcontractors on that job was Albert DiSalvo, who was convicted of the murders attributed to the Boston Strangler. The day before the studio was finished, a photograph was taken of the Jungers and the men who worked on the job. Junger reflects on that snapshot showing his mother holding him on her lap, with Albert DiSalvo standing behind them.
Junger clearly places himself in this story, but he does a great job of backing up to describe the context, what Boston was like and how the murders impacted people.
He explores a murder done in Belmont at the time that Albert DiSalvo was working on the Junger project just a mile away. A black man named Roy Smith was convicted of that murder, proclaiming his innocence until his death behind bars. In many ways this murder was a typical Boston Strangler job, in others, not. But both Smith and DiSalvo die before full light can be shed on Smith's case. Junger leads one to believe that Smith was very probably wrongly convicted.
Junger manages to tell this story, graphic details and all, without seeming to exploit the victims or the situation. He introduces a wide variety of people at a perfect pace, setting up a sort of chess board of characters. Kevin Conway, the narrator, maintains an even tone in his reading that reflected Junger well.
I loved "A Death in Belmont" for a traveling companion. I've noticed that the books that I most enjoy in audio are those with a strong narrative thread. Junger maintains this well. I was sorry when the book came to an end just before I reached Ogallala. I felt like I'd learned some interesting history, had reflected on the role of race in the early 1960s, and been told a fascinating tale by a fine storyteller.
Tagged in: audiobooks, nonfiction, Boston Strangler,
May 08, 2012 by PatLeach
And then I had to wait awhile because there were (and are!) quite a few holds on it.
Cain's title tells it all--she supports and values the combination of traits that characterize introversion--needing solitude for recharge, preferring one-on-one conversations over cocktail parties, focusing on one topic at a time, and a tendency for active environments to be overstimulating.
She includes research, cultural aspects, advice for romantic pairs and advice for parents. Cain herself isn't a researcher, but has interviewed many who are, and she has done plenty of homework in seeking out a variety of opinions.
An introvert myself, I connected with many of her observations. In particular, I saw myself in her description of the need to gear up for certain kinds of social events, almost as if going into battle. On the other hand, I haven't sensed the scorn or disapproval of the extroverts in my life as much as she seems to have, and sometimes I felt like she "protested too much." A personal note--I do clearly recall my college boyfriend kindly pointing out that my quietness at parties could be interpreted as my being stuck-up. And he did say so kindly. And I still remember that--it stuck with me. I would guess that quite a few introverts have received similar observations.
I'll recommend this book to people who are interested in the many ways in which personality can be profiled, so that we understand ourselves better, and get along with others better. I'm finding myself having extended animated conversations with others who've read this--and so far, her audience seems mostly--introverts.
Tagged in: Good Reads, nonfiction, memoir, Lit,